Screamie Birds Music on Internet Radio (#50/90)

One of the members of our 50/90 community hosts an internet radio show podcast on Spanish Rock Shot Radio. And he’s including some music from some of our 50/90 creations, including Space Disco Party, a Screamie Birds track.

You can play it here. Note: Screamie Birds is track #22:

First 3 Songs for #50/90 (#House #Music #Production)

My approach for 50/90 this year isn’t to see how many songs I can bang out in 90 days. Instead, I’m trying to see how many different styles of “House” music I can “master” and, therefore, focus on the genre and the quality of my productions in Ableton Live and Logic Pro X.

So far, here are the 3 songs I’ve written/produced/posted on 50/90 via SoundCloud:

Keep It Movin’ (Classic House)

Space Disco Party (Space Disco)

Catch the Moment (Deep House)

 

 

Disco Queen to Queen of Beats (#EDM #music #producer)

Okay, so my latest toy is Kick 2 by Sonic Academy. Paired with Logic Pro X 10.5, well, I’m in beat heaven!

I used to joke that I was a Disco Queen, fell madly in love with disco the first time I walked into Earthquake Ethel’s and the pulsating beat led me to one of the three dance floors. (We didn’t take many photos back then, so this is the closest pic I can find from that era.)

So, it comes as no surprise, really, to find myself into EDM (Electronic Dance Music), especially because I’ve been involved professionally with electronic production since those early disco days. First in publishing, now in music.

Funny how people were determined to kill disco. Funny also how romance writers were determined to kill chick lit. Both my favorite genres. Well, I guess it’s true. I do seem to march to a different drummer, which means:

To act independently, differ in conduct or ideas from most others.

As Henry David Thoreau said in Walden (1854): “If a man(woman) does not keep pace with his(her) companions, perhaps it is because he(she) hears a different drummer.”

Juggling the Arts During #Covid-19 #AtHome

Before Covid-19, I pretty much spent most of my time in my home studio/office, so staying at home isn’t that new to me. But I felt like I had to make a choice between pursuing music and writing fiction. They seemed to use different parts of my brain, and I felt like I couldn’t juggle them all that well. That I *must* choose one in order to be successful.

Now I’ve realized during this time that it’s too difficult to focus on just one. My brain is more scattered right now. So how do I turn this into something good? Well, I’m not only pursuing both writing (brain) and music (ears), but also creating videos (visual), embracing three of my senses, instead of just one. Besides, how do I know which one might take off more than the other? Diversification seems wise to me now.

So, how do I determine which one to work on when? I suit up and show up. I let the muse decide.

What projects am I working on in particular?

  • Editing my manuscript in progress
  • Gaining skills in music production through classes
  • Producing my FAWM album and writing music for TAXI listings
  • Creating videos from a variety of trips to Disneyland, Disney World, and Cruises

The latter idea was spurned on when I noticed our 22-second video of Oasis of the Seas started getting crazy views (at least for us with a brand new channel).

At last count, it’s over 15K. You can check it out here. While you’re there, please subscribe. 🙂

Also, check out our Travel Adventures blog, including our adventures in moving/house building.

Anyway, just uploading that one video started me thinking about creating/uploading more videos and I’ve discovered I really enjoy it because I’m also a visual artist, not just audio and cerebral.

What have you discovered about yourself and what you enjoy that took you by surprise?

 

Deja Vu at the Blue Diamond Saloon, the Book, the Poem, the Tour, and Now the Song (#FAWM)

You may recall that I’d just finished a publicity tour for my psychological suspense novel, Deja Vu at the Blue Diamond Saloon at the end of 2019 before starting FAWM on February 1st. Well, during the tour, I’d written a poem about the book here.

So, naturally, I turned that into a song for FAWM 2020. Check it out. I hope you like it – the song, poem, the tour, and the book. 🙂

#1 EDM Artist in Las Vegas on Reverbnation

Wow! The thing I thought would never happen happened! Screamie Birds is now the #1 EDM artist in Las Vegas on Reverbnation.

I’ve bounced around between #2 and #10, but mostly keeping steady at #2. Last week I went from #2 to #3. But now, for the first time I’m the #1 EDM artist in Las Vegas on Reverbnation. I thought it would never happen! So stoked! Time to create some music!

Blogmas, Day 30: End-of-Year Ableton Live Progress (#blogmas)

Many of you blogging this blogmas have mentioned the books you’ve enjoyed reading over the holidays. And in the past, that might have been me, too, especially if you mean fiction. But this year I’ve been cramming learning Ableton Live, taking tutorials and reading non fiction books. Gearing up for FAWM (“February Album Writing Month”), I guess

Logic Pro X is my DAW of choice but as an EDM producer, I wanted to learn Ableton Live. It seems so suited to the music genre. But it’s been quite a struggle in some ways, in others it’s been a breeze. I think that’s because each DAW specializes in different areas. I can sit down and start creating a song right away in Logic Pro, in Ableton, it seems the simplest things are the most difficult. But when it comes to mastering more of the advanced features in music production, Ableton seems to do it much more easily.

And while I’ve been madly applying myself to music tutorials for Ableton, I stumbled upon some really cool ones for Logic Pro, too, and have learned some interesting things I’m quite excited about. What to do, what to do? Ableton Live or Logic Pro? Well, I suppose I really don’t have to choose because I imagine it’s good for a producer to know more than one DAW. The real choice is which one do I use in the moment? lol!

There are a lot of tutorials out there, but it can be challenging following along. Sometimes they use third party plug-ins that you don’t have or their techniques zip past you so fast, you can’t possibly keep up. I’ve probably tried dozens just on one site. Anyway, here’s a sample song I managed to figure out in Ableton Live (via Groove3) from programming drums and synths to mixing and adding special effects such as EQ, reverb, and automation.

Blogmas, Day 26: Starving Artist vs Thriving Artist (#blogmas)

Blogmas was so much fun, I, like many of you, have decided to extend it for a little bit longer. And as I grapple with plans for 2020 (as many of you), I’ve been doing a lot of mad reading.

My current read is Real Artists Don’t Starve by Jeff Goins, and I’ve made some interesting discoveries as he makes many points about the “starving artist” vs the “thriving artist.”

Like maybe I don’t have to choose and shouldn’t choose between going all in with music or writing. I should be pursuing both. I can’t seem to help myself anyway, so I may as well give myself permission. The real challenge, I think, is getting up-to-speed on the music so that I can juggle both.

Here are a couple of insightful quotes I found:

Your art is never beholden to a single form. You can always change and evolve, and the best artists do this regularly. They understand that in order to thrive, you have to master more than one skill.

Starving Artists believe that to make a living you must make money off your art. But Thriving Artists don’t just live off their art. Like good investors, they keep diverse portfolios, relying on multiple income streams to make a living. Rarely do they go all in on any single area of work. The challenge, then, is knowing what investments to make and when.

Good advice, I think. The thing is, I can’t really stand over either one and demand it pay off. I do the work, put it out there, and then the return on my investment comes as a surprise when I least expect it. My job as an artist is to suit up and show up.

 

2019: the Year of Many Firsts for Me in Music

It’s that time of year when we start looking back over the year to see how we did in whatever we’d hoped to pursue or accomplish at the stroke of midnight New Year’s Eve the year before.

So, as I start to look back on 2018, I realize there were many firsts for me musically. And while February may have brought my second FAWM, July through September enticed me to try my first 50/90 (write 50 songs in 90 days challenge). During that time, I even took on the challenge of trying out Ableton Live 10 (Standard Version). I’m now upgrading to Suite with so much more to learn yet.

All of that was so much fun, making friends and sharing music with other musicians, I couldn’t resist participating in my first Rocktober (Rock cover songs done your way) in October. Now I’m counting down to the next FAWM, looking forward to meeting up with some of my new friends, to see what they’re doing musically, and to see how far I hope to come by February.

Listening to some of the songs I wrote/produced this year, one of my favorites is Pop the Clutch: