DJs on the Rocks (#DJs #Rock #Music)

Had to share the music I discovered on MixCloud. As a music lover of all genres, I have to say rock will always hold a special place in my heart. It may be just the theme I need for this upcoming road trip.

Check out this mix:

Fernando Cabral Sacadura from DJs on the Rocks, Portugal:

First Monday of 2022 #Ableton #Push #Max4Live

I told myself I really should focus on Ableton Live and Push in 2022. That I really mustn’t waste the money. That it should be considered my Christmas present, even though I got Push during 50/90. Only I was too busy writing 60 songs to do much with Push.

And so today I had a blast playing around with programming drums and bass in Push, throwing a Max Live reverb onto the vocals. It’s just a start, but at least I’m moving forward.

Why Dance Music Is Important

I was reading one of those end of year posts somewhere online and it was stating how dance music is important and how difficult it has been during this time with the clubs closed. And perhaps there were other ways we could dance.

That got me to thinking about why I love to create dance music when so many articles and documentaries talk about the importance of storytelling in song and that’s what stirs people’s emotions and that’s the number one goal in creating music.

Ouch! I started wondering why I love dance music. Am I that vapid? I had never thought of myself that way and I don’t think anyone else would either. Am I avoiding emotion? Hmmm… and then I thought about my history with dance music taking me back to my pre-teen/teen years. Like whenever I got to be in the house alone, I would crank up the family stereo and dance to my favorite music. As I got older, that meant staying home when the family went off on camping trips.

I couldn’t always have the stereo and the house to myself, so when I reached driving age, my car became my dance floor.

And by the time I was in my twenties, Disco was big and I pretty much lived at Earthquake Ethel’s. So why was that?

My dance partners thought I wanted something other than dancing. “I can tell you want me by the way you dance.” That was the furthest thing from my mind and became the inspiration for the “Don’t Touch Me” song I wrote for 50/90 this past year.

So why did I love to dance back then? No doubt music and drums run through my veins, having discovered I come from a big musical family. But it’s more than that natural love for moving to music.  Off the dance floor I was the bookworm, shy, quiet, introverted, awkward in conversation, don’t look at me kind of person. On the dance floor I felt powerful, larger than life, in my element, somebody to pay attention to, comfortable in the spotlight, confident. Sexy.

So is dance music important? You bet it is. So no matter your plans for tonight, you can always find a dance floor, whether in a crowd (stay safe), home alone, or in your car.

Happy New Year’s Eve!

Using Push with Logic Pro 10.7

Torn between Ableton Live and Logic mostly because of my investment in Push, I started playing around with the Drum Sequencer in Logic using the new 10.7 record feature, and Push as the controller. It was a little wild, but so freeing and fun! Here’s a little clip of me jamming on the drums using Push.

What Disco, Metal, Rock, and House Music Have in Common

Major influences on today’s music. House Music Godfather Marshall Jefferson said (in Electronic Musician) his early influences were Led Zeppelin and Deep Purple. But he moved on to club music because he thought only big, sweaty men went to Zeppelin and Deep Purple and he wanted to meet some women. Ha! Not entirely true, though – lol!

Those were also my influences and my friends and I went to plenty of concerts. And if you read the comments on YouTube, you’ll see that other women were/are fans, too.

Wired for Story But Not The Kind You Might Think (#Music vs #Writing)

These days I enjoy reading about writing more than I do actual writing. My brain seems to have been rewired for music – not story. At least, not the kind of story you think of when NaNoWriMo hits the stage every November (for me, November is the worst month with Thanksgiving and travel).

Still, I keep trying to gear myself up for NaNoWriMo, even though I did it once and hated it. So why do I keep trying to do it? I was hoping to finally finish “She’s Not That Good,” but I’m thinking it’s time to put that one away for good. It’s “not that good” – lol! (And I don’t want to spend the time trying to make it that good.)

Or maybe because there’s been a bit of a letdown after 50/90 ended. I miss the music community. So when I peek into the NaNo forums looking for community, I notice there’s definitely a leaning toward younger and it all feels so corporate. I now remember how good it felt to leave Silicon Valley behind. Why would I want to step foot in it again? I don’t.

And so it’s back to Logic Pro 10.7, but this time using one of my 50/90 songs to try out some of those Dolby Atmos features. Oh, yeah, I’m much more excited about that. Here’s the song I’m going to be working on:

Now that’s my kind of story – a whole lot more fun than character sheets and outlines.

 

 

Logic Pro 10.7: Getting in the Groove (#LogicPro #Music #Production)

This week has been quite confusing for me. My first attempt at using Logic Pro 10.7 left me feeling quite frustrated, so much so, I’ve been rethinking my DAW of choice. Switching back and forth to Ableton Live and GarageBand (with its recent updates), I haven’t been able to call it quits with Logic. But I have figured out a few things.

I think all the Dolby Atmos hype has distorted this update. YouTubers, etc. have been so focused on the new cool Dolby Atmos features, that they’ve ignored a very vital point: how to use Logic Pro without Dolby Atmos. Not everybody has a use for Dolby Atmos. And 10.7 has other new updated features, like to the Sequencer, which is one of my favorite tools. And the loops and the dropdown menus making it much easier to find a particular pack.

So, now that I’m getting into it, figuring things out, I’m getting quite hooked on Dolby Atmos. OMG! Using my own files and not the ones provided by Groove 3’s “Logic Pro 10.7 Explained” tutorial (I think his customized key commands messed me up at first), I’ve had quite a breakthrough. (I do find the tutorial quite helpful, following along, but with my track.)

I’m still working on my 32-bar track, but once I get to a point that it can demonstrate the with and without Dolby Atmos, I’ll be sure to post it here.

How are you doing with your first steps with Logic Pro 10.7? What’s your favorite part of the update?