Logic Pro 10.7

Apparently, Logic Pro 10.7 is a thing, although I don’t have the update yet. And just when I think I might finally “master” Ableton Live, Logic Pro lures me back. lol!

In the meantime, I’ve created a pdf of the Release Notes (from Apple) so I can “study” them here. For some reason, I like that better than going to their web site. Maybe it’s my documentation background. I did contract for Apple back in the day. And Dolby Atmos, which is why I can’t wait to get my LP 10.7 upgrade!

More information on the Logic Pro 10.7 version here.

Logic Pro release notes (pdf)

Why I Used #LogicPro Instead of #Ableton for #50/90 #Songwriting #Challenge

For those of you who do not know, 50/90 is a songwriting challenge where you attempt to write 50 songs in 90 days, starting around July 4th, ending October 1. It’s an offshoot of FAWM (February Album Writing Month) where you attempt to write 14 songs in the month of February.

2018 was my first FAWM and it nearly killed me – lol! I was new to songwriting and music production and putting my music out there for critique was stressful. But I was hooked. The community is especially supportive, and I loved that interaction with other songwriters/musicians.

The first time I heard of 50/90, well, I thought that was insane and never really took it seriously. Last year, I might have written a couple of songs. But this year, I ended up creating 60 songs – busting past the 50 even. I couldn’t believe it. But I got hooked on creating songs every day.

Right before 50/90 started this year, I’d purchased Push2, and I’d hoped that 50/90 would be a great opportunity to get creative with Push. However, with the daily pressure of getting songs out there, I found I was relying on me knowing Logic Pro and being more comfortable with it.

The other personal music challenge I’d given myself was to do more songwriting/performing rather than the usual EDM tracks and I much prefer Logic Pro for that – the “note” section is perfect for writing lyrics and/or having them while recording.

Logic has an awesome assortment of loops, which I also relied on during this time crunch. My intention for Push2 was to move beyond stock loops and create my own, but I just didn’t have time to acquire those skills in time for 50/90.

It’s 4 months until FAWM 2022. Is that time to get comfortable with Ableton and Push2?

“Don’t Touch Me” (#50/90 #music #producer #songwriting #challenge #LogicPro)

Now that 50/90 is over for this year, I’m going through my tracks to pick out my favorites to bring back into the studio for further mixing/remixing, etc. This one I did in Logic Pro.

Don’t Touch Me
(Kathy Holmes @ Screamie Birds Studios)

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

Verse

I brush past you in the crowd
Give you a little bump
You bump back, give me a smile
Haven’t seen you in a while

Verse

Since the day you asked me out
And then never showed
Got a better offer I heard
Or that’s what I was told

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

Bridge

You ask me for my number
I don’t do that, don’t do that
You know you want it, want it
No I don’t, as a matter of fact
I just came here to dance

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

The Truth Is: 50/90 Song #55

I haven’t been able to stop writing songs for 50/90–it’s such an awesome motivator, especially with feedback from this community of fellow musicians/songwriters.

One of the features is that you can indicate your favorite songs so when somebody stops by, they might want to listen to those. The problem is, my favorite song seems to be the one I’m working on – lol!

So, song #55, my latest song at this moment (55 out of 60), is my favorite. With this one, I was experimenting with the CLA vocal plugin, recommended to me by a fellow producer. I start with shadowing vocal samples from Audentity Records and then take the lead with my lyrics using the “Moody” preset of the CLA plugin.

Take a listen here:

“I Need to Know” – from #Lyric #Poem to #50/90 Song

Based on the poem I wrote called “Mystery of My Heart,” it is now a song I created for 50/90 called “I Need to Know.”

First Song for 50/90 2021 #lyrics #music #producer #LogicProX

A Lifetime

Lyrics*

A lifetime is a long time to never have known you
Decisions were made without your consent
Birthdays and Christmas and favorite Sunday dinners
Counting the measures never ending torment

Photos displayed on a beachy white dresser
The cross prays for family unknown to the pastors
Strumming the coasts in search of heart’s answers
Mothers in hiding and cruel puppet masters

The child pays the price for adults who are wounded
The cycle must end in choices not taken
Letting go of love for what can never happen
Walking day to day with a soul deeply shaken

(Repeat)

*Inspired by the #lyric #poem I wrote here.

EDM: For Those Who Connect With Sound, Not Lyrics (#EDM #Music #Producer #Novelist #WritingCommunity)

I read this tweet (no, I haven’t quite deleted my Twitter account, although I do try to keep my peeks to a minimum), and this thought resonated with me. It explains so much. Especially when I realized I liked the sound of words, not the words themselves. This goes way back to the first grade. I loved the word “said” and the name “David” – the “d” sounds like a drum in my head.

When I met my father later in life (I may or may not have met him when I was a small child), he said, “All my kids play the drums.” Bingo! Then my life started to make sense. The more I connect with music (especially EDM – Electronic Dance Music in case you don’t know), the more I understand myself.

But when my literary agent told me my writing had a “poetic, almost lyrical rhythm to it,” I wondered what that meant. My father’s family were all musicians (guitarists, keyboardists, drummers, bassists, etc), going back to time immemorial, and my grandmother wrote poetry, I thought that must mean I was supposed to be a songwriter. Lyrics must be my thing. And so I enrolled in a modern musician certificate program starting with songwriting. I ended up realizing the difference between poems and lyrics and that it takes a special skill to translate those words into words that go with music. That was not my gift.

My gift that I’m exploring is sound design. I have so much to learn but I absolutely love it! One of my uncles was a sound engineer and so that makes sense. I may also be a storyteller, but not through lyrics. I have good family direction. My uncle said, “Now that you know you’re a Holmes, you’re gonna wanna pay attention to music.” And my dad said, “Keep writing. You must fulfill your destiny.”

And so I continue to juggle both. One gives me a break from the other, refreshing me for both. I may resist that, but I think I need that.

 

4 Weeks ’til #FAWM2021

Today, the first Monday of the new year marks 4 weeks until the beginning of FAWM. And I think, for me this year, that means creating an album of remixes using some Latina House samples I’ve purchased from Sonic Academy.

Remember that TV show “Semi-Homemade” where Sandra, I think was her name, took some sort of dish already kinda made but then added her own touch to it? Well, that’s the kind of cook I am. In fact, I’m discovering that I’m also really digging the concept when it comes to music. At least for now.

So for the next 4 weeks, I’m going to be preparing for that. Gathering my samples, translating/rewriting lyrics, etc. for song ideas. That means I won’t have time to continue editing SNTG during the week. Instead, I’ll be posting my chapters on this blog over the weekend. Stay tuned for Chapter 1.

In the meantime, here’s a piece of a song that I’m working on remixing. Next step: recording the lyrics in English.

Music Production, Writing, Reading… Running Out of Coping Mechanisms

Watching videos of people enjoying the Christmas festivities at Disney World, well, I can’t help but feel a little jealous. With California’s strict reopening guidelines and Disneyland’s reluctance to open up any of the parks (i.e., Knott’s Berry Farm) until now, and the cruising industry’s slow road to recovery, Nevada getting close to lockdown again, well, I’m going a little crazy. I mean, who isn’t, right?

I’ve spent these last 8 months at home working on music, switching back and forth between Ableton Live and Logic Pro, the latter due to the 10.5 updates. And now with news of Ableton Live 11 coming out soon, well, there’s even more for me to dive into. But there’s also a lot of stress with all of that learning and it wears me out. So I’ve taken time to read and even work on a couple of manuscripts I’ve started writing. But nothing, really, after all these months, is really working toward peace of mind. Prayers and positivity help, of course, but when there’s an underlying or maybe not so underlying crisis happening, it’s really hard to escape.

I think many of us felt a bit of relief when Biden won, even if we weren’t big Biden supporters, if only because, in my case, I did not want to sit back and watch the lunatic, aka the Narcissist for another 4 years. His behavior since the election validates everything I know about Narcissists. And once you’ve had an experience up close with one, you don’t need a psychology degree to get it. Maybe you get it even more than somebody who has just studied it. Experience is a great teacher.

So with heavy handed governors issuing mandates (sometimes necessary, but, perhaps, not done in the best way) and a lunatic for a president, it’s like reliving a dysfunctional childhood all over again. The artist’s spiritual life and food and drink and rearranging the furniture a zillion times helps for a while, but I’m running out of coping mechanisms.

Today’s joy, though, was picking up my latest copy of Electronic Musician. Just reading the masthead made me smile, reminding me of my early days in San Francisco working in production on Mac User magazine. So cool to see my name listed as Production Manager. That took me to McGraw-Hill Publishing in Berkeley, but the most fascinating part of that was sharing the building with a music studio and seeing a glimpse of artists like MC Hammer getting out of the limo. The MC Hammer dancers lived in an apartment complex down the street from mine.

And so, when all is said and done and things are back to normal and I can cruise the high seas and relive my childhood at Disneyland, well, in the end, it’s all about the art, the music, and the spiritual journey I am on.

Ableton Live 11 vs. Logic Pro 10.5 (#music #production #Logic #Ableton)

This time last year toward the end of 50/90, I got Ableton Live 10 Suite. I was curious about some of the more accessible features to me, at least more accessible than Logic Pro X, the DAW I’d been using since I started music production. But then Logic updated LPX to 10.5 with some amazing features. That left me reeling. Now which DAW would I use? Logic or Live? I’ve been scurrying between the two ever since, trying to find my definitive answer. I really want to commit to just one DAW.

Then this morning, my email was filled with announcements of Ableton Live 10 updating to Live 11. I got up at first light, made some coffee, and jumped on YouTube to watch some videos. When I mentioned on one that I couldn’t decide which one to commit to, he made a car analogy of which one do you feel more comfortable jumping in and taking for a spin (or something like that).

My problem is this: starting a Project in Logic Pro is like me grabbing the keys to my Black Challenger and heading down the open desert roads, radio blasting, wind blowing in my hair. I’m having a great time, thinking I know what I’m doing. Until I look at this shifty knob that’s just sort of added on for those who know what to do with it. And I don’t. And I’m afraid if I allow myself to try it out, I’ll blow it up.

Starting a project in Ableton, for me, is like cranking up a VW Bug (funny, they both happen to be made in Germany and my husband’s last name is German), and shifting it into gear (a bit awkward, but by the time I’m headed down the road, I’m feeling like I know everything about it, and I could even change the oil) – lol!

LP 10.5 gave us some cool Ableton features. Ableton 11 is giving us some cool LP features. So now I have no idea which DAW to commit to. But I need to figure it out before Ableton 11 is released. And before I buy Push2. I wonder if Push would push me over the edge.