The coolest thing about FAWM is the community of fascinating and talented musicians of multiple genres from all over the world. They’ve generously invited me into their world and I’m honored to be counted as one of them, striving to be worthy.
The most talented, in my mind, goes by the name of “Wolf” and has put together an awesome track that will blow your mind, and I don’t use that phrase loosely. He was our “cruise director” for this mishmash of talent, creating and coordinating the birthday party of the century, Bertha’s 60th. Happy birthday, Bertha!
You might find me sprinkled throughout, but I’m the most proud of being called the “DJ” under the name of SBS2018.
Catch a sneak peek by Wolf, whose vocals I absolutely love (David Bowie, right?, followed by the full track available on Bandcamp.
Please like, share, download, and tell your friends (and I never say that either). But I would love for these people to be recognized for their talent, individually and as collaborators.
Btw, headphones recommended.
FAWM 2022 is over and I exceeded the 14 songs by 1 – lol!
I’ve compiled them into an album on BandCamp just to show my accomplishment. I wanted to get this done before my new iMac with the M1 chip arrives. Yes!
All of these were created using Logic Pro except for the last one, which was created on my new iPad Pro (M1) after my old iMac pretty much died. It’s a bit of a mixed bag when it comes to genre, but I think it shows my growth. I’m looking forward to pursuing yet another direction in 50/90.
I was reading one of those end of year posts somewhere online and it was stating how dance music is important and how difficult it has been during this time with the clubs closed. And perhaps there were other ways we could dance.
That got me to thinking about why I love to create dance music when so many articles and documentaries talk about the importance of storytelling in song and that’s what stirs people’s emotions and that’s the number one goal in creating music.
Ouch! I started wondering why I love dance music. Am I that vapid? I had never thought of myself that way and I don’t think anyone else would either. Am I avoiding emotion? Hmmm… and then I thought about my history with dance music taking me back to my pre-teen/teen years. Like whenever I got to be in the house alone, I would crank up the family stereo and dance to my favorite music. As I got older, that meant staying home when the family went off on camping trips.
I couldn’t always have the stereo and the house to myself, so when I reached driving age, my car became my dance floor.
And by the time I was in my twenties, Disco was big and I pretty much lived at Earthquake Ethel’s. So why was that?
My dance partners thought I wanted something other than dancing. “I can tell you want me by the way you dance.” That was the furthest thing from my mind and became the inspiration for the “Don’t Touch Me” song I wrote for 50/90 this past year.
So why did I love to dance back then? No doubt music and drums run through my veins, having discovered I come from a big musical family. But it’s more than that natural love for moving to music. Off the dance floor I was the bookworm, shy, quiet, introverted, awkward in conversation, don’t look at me kind of person. On the dance floor I felt powerful, larger than life, in my element, somebody to pay attention to, comfortable in the spotlight, confident. Sexy.
So is dance music important? You bet it is. So no matter your plans for tonight, you can always find a dance floor, whether in a crowd (stay safe), home alone, or in your car.
Happy New Year’s Eve!
Well, remixes are just too much fun and I found myself doing a little something to Elvis’ “I’ll Be Home for Christmas.”
This is available as a 12-track album (plus bonus track) or as individual songs.
As we count down to 2022, I figured it was time to create a DJ track of my favorite songs from the 50/90 challenge (writing 50 songs in 90 days). It is now available on MixCloud (mixed for headphones):