I Wanna Dance With Somebody (#50/90)

For song #4 of the 50/90 Challenge (2020), I chose to do a Classic House track, and I must say it’s my favorite. Or maybe each current song is my favorite, right? And after I received some invaluable feedback from a professional DJ, I made a couple of edits and reposted it on SoundCloud. I may continue to work on it as I gain more skills or just might start with something new. Anyway, here is where I am on the producer track:

First 3 Songs for #50/90 (#House #Music #Production)

My approach for 50/90 this year isn’t to see how many songs I can bang out in 90 days. Instead, I’m trying to see how many different styles of “House” music I can “master” and, therefore, focus on the genre and the quality of my productions in Ableton Live and Logic Pro X.

So far, here are the 3 songs I’ve written/produced/posted on 50/90 via SoundCloud:

Keep It Movin’ (Classic House)

Space Disco Party (Space Disco)

Catch the Moment (Deep House)

 

 

New Beginnings (#50/90 #poem #lyrics)

Yes, it’s the 4th of July, Independence Day for the U.S. but also the first day of 50/90 (the write 50 songs in 90 days challenge). And so a poem came to mind during the night, raw, for sure, but, inspired by “The Making of Frozen II” on Disney Plus, I post it as part of the process of 50/90.

New Beginnings

Surrender the old
Trust in the beginning
Embracing the new
In spite of the blues
These words to the wise
My fears not disguised

This time feels different
Body older and fragile
Relying on me no longer
My spirit is stronger
The old self-reliance
Becomes a castle of silence

My heart beats a longing
For what I know not
Showing up and suited
Desire deeply rooted
Stories and sounds on keyboards I write
What the muse whispers to me in the night

Gearing up for 50/90

Fifty-ninety begins July 4th and lasts through September 30. The challenge is to create 50 songs in 90 days. I think it will be an awesome way to focus.

Yesterday, I posted on my travel blog some thoughts about my childhood and how when we visited my step dad’s family in California’s Central Valley, I would leave the women behind in the living room talking about babies to sit with the men on the front porch talking trash about drinking, the neighbors, and other stuff I can’t remember while making home-made ice cream.

Anyway, that got me to thinking about how hanging out with musicians in places like FAWM and 50/90 and Sonic Academy is like hanging out with the guys on the front porch. While there are women there, the majority are men. And that’s more than okay.

I also notice that when I’m involved in podcasts and live videos in these communities, we focus on the music. Nothing else exists other than a passing comment about having more time to create music. There’s no politics. And it’s so refreshing.

So I’m thinking that maybe if I focus on the next 90 days, that when it’s over, all of this might be over. Or in a better place than where we are now. And if not, October brings Rocktober and November brings National Solo Album Month (NaSoAlMo), the music version of NaNoWriMo (instead of writing a novel in a month, you write an album). Maybe *then* it will be over. If not, then there’s Christmas and New Year’s and then maybe it will be over or mostly over in 2021.

 

Disco Queen to Queen of Beats (#EDM #music #producer)

Okay, so my latest toy is Kick 2 by Sonic Academy. Paired with Logic Pro X 10.5, well, I’m in beat heaven!

I used to joke that I was a Disco Queen, fell madly in love with disco the first time I walked into Earthquake Ethel’s and the pulsating beat led me to one of the three dance floors. (We didn’t take many photos back then, so this is the closest pic I can find from that era.)

So, it comes as no surprise, really, to find myself into EDM (Electronic Dance Music), especially because I’ve been involved professionally with electronic production since those early disco days. First in publishing, now in music.

Funny how people were determined to kill disco. Funny also how romance writers were determined to kill chick lit. Both my favorite genres. Well, I guess it’s true. I do seem to march to a different drummer, which means:

To act independently, differ in conduct or ideas from most others.

As Henry David Thoreau said in Walden (1854): “If a man(woman) does not keep pace with his(her) companions, perhaps it is because he(she) hears a different drummer.”

Discovering Sound Design

(This may be repetitive for those who have read this blog for some time, but in a nutshell, this is the background to my music journey.)

I’ve always loved singing – even from a young age. My mother tells the story of me, smudge on cheek, sitting on the front porch singing with my step dad while he played guitar – me having no idea what the lyrics were to the song. Later, I performed in the school choir and sang as a soloist. I played an electric organ I got for my 7th birthday. Later, I moved on to piano and when groups like the Beatles were all the rage, I even played a few chords on the guitar.

I was stumped by three things.

Being told:

  • You have a great ear for music
  • Your writing is poetic, almost lyrical in rhythm

The first one was said by my school music teacher and later, my vocal coach in Las Vegas (he appeared in Mamma Mia), and the second was my literary agent when she signed me for Real Women Wear Red.

Thinking:

  • My favorite words in 1st Grade were “said” and “David”
  • My favorite songs had stripper-like drums

Later, when I met my father, he said “All my kids play the drums” and then it all fell into place. That explained some of my favorite songs, and, of course, the “d” in those words sounded like a drum – lol!

I also discovered my grandmother wrote poetry. Ah… I started putting it all together, pursuing songwriting and got a new music keyboard. But something wasn’t quite coming together. Then, as I started studying music production, first GarageBand, then LogicPro, and now Ableton Live, I realized how much I loved “sound” – it’s something more than just music.

I recently purchased Kick2 and Ana2 from Sonic Academy, learning deeper levels of sound design. And I absolutely love it! This is so bringing me out of the doldrums this weird time in our world has brought to us.

This also brings up questions, such as:

  • Should I do 50/90 this year?
  • Will I renew my TAXI A&R membership?

Neither seem all that focused on the kind of music and/or sounds I’m creating. Perhaps it’s time to reassess my goals.

Deja Vu at the Blue Diamond Saloon, the Book, the Poem, the Tour, and Now the Song (#FAWM)

You may recall that I’d just finished a publicity tour for my psychological suspense novel, Deja Vu at the Blue Diamond Saloon at the end of 2019 before starting FAWM on February 1st. Well, during the tour, I’d written a poem about the book here.

So, naturally, I turned that into a song for FAWM 2020. Check it out. I hope you like it – the song, poem, the tour, and the book. 🙂

Blogmas, Day 30: End-of-Year Ableton Live Progress (#blogmas)

Many of you blogging this blogmas have mentioned the books you’ve enjoyed reading over the holidays. And in the past, that might have been me, too, especially if you mean fiction. But this year I’ve been cramming learning Ableton Live, taking tutorials and reading non fiction books. Gearing up for FAWM (“February Album Writing Month”), I guess

Logic Pro X is my DAW of choice but as an EDM producer, I wanted to learn Ableton Live. It seems so suited to the music genre. But it’s been quite a struggle in some ways, in others it’s been a breeze. I think that’s because each DAW specializes in different areas. I can sit down and start creating a song right away in Logic Pro, in Ableton, it seems the simplest things are the most difficult. But when it comes to mastering more of the advanced features in music production, Ableton seems to do it much more easily.

And while I’ve been madly applying myself to music tutorials for Ableton, I stumbled upon some really cool ones for Logic Pro, too, and have learned some interesting things I’m quite excited about. What to do, what to do? Ableton Live or Logic Pro? Well, I suppose I really don’t have to choose because I imagine it’s good for a producer to know more than one DAW. The real choice is which one do I use in the moment? lol!

There are a lot of tutorials out there, but it can be challenging following along. Sometimes they use third party plug-ins that you don’t have or their techniques zip past you so fast, you can’t possibly keep up. I’ve probably tried dozens just on one site. Anyway, here’s a sample song I managed to figure out in Ableton Live (via Groove3) from programming drums and synths to mixing and adding special effects such as EQ, reverb, and automation.

L.A. Nights Book Trailer is Live

Story and Music by Kathy Holmes

I love making book trailers, using visuals and making my own music to give a peek into a story I also wrote. L.A. Nights is available as a standalone short story or as part of the Cougars in Cabo anthology. For more information, see SHORT STORIES under the BOOKS menu.